In his new series of works based on Piña Negra, the black pineapple, Roman Van der Haven draws inspiration from his own youth in Spain. Piña Negra is an image from a dream he had in 2010. It represents both the devouring black hole and the Big Bang from which a new fictitious universe is born. For Van der Haven, Piña Negra means a new era of creative growth after aimlessly searching for a time.
Guardia is mysterious, sinister figure who's intentious in the univese of the black pineapple are unclear. He is the antagonist of Cimarrón, loosely based on the 11-year old Roman Van der Haven himself.
Cimarrón were the slaves who fought for their liberty in Cuban history; Van der Haven encountered the term while on travel there. He feels a deep aspiration to break free from his own artistic shackles.
The other portraits in the series are called Cimarrón's and Mus. Notably, these works are always exactly the same size (the artist's own height in real life) while the figures they depict vary in height. The rigidity of the characters' poses and three-quarter viewing angle is a reference to 17th century portrait painting, further enforced by the small base on which they stand. The intent is for the viewer to see these characters as if they were beamed here from another dimension.
This triptych is part of a bigger series and story that has yet to be completed. Van der Haven works on a series of holograms all based on the Piña Negra universe.
Guardia is mysterious, sinister figure who's intentious in the univese of the black pineapple are unclear. He is the antagonist of Cimarrón, loosely based on the 11-year old Roman Van der Haven himself.
Cimarrón were the slaves who fought for their liberty in Cuban history; Van der Haven encountered the term while on travel there. He feels a deep aspiration to break free from his own artistic shackles.
The other portraits in the series are called Cimarrón's and Mus. Notably, these works are always exactly the same size (the artist's own height in real life) while the figures they depict vary in height. The rigidity of the characters' poses and three-quarter viewing angle is a reference to 17th century portrait painting, further enforced by the small base on which they stand. The intent is for the viewer to see these characters as if they were beamed here from another dimension.
This triptych is part of a bigger series and story that has yet to be completed. Van der Haven works on a series of holograms all based on the Piña Negra universe.
Roman van der Haven (born 1983) lives and works in Amsterdam, The Netherlands. After having worked for years in the creative industry for studios and clients such as Nintendo, Guerrilla Games, Virtual Fairground and London agency Slide, his interest is now with VR and his personal art.
